The one where comedy became the primary artform.

CRAFT, the Comedy Representation & Artform Trust, is the first dedicated national body for the entire comedy industry ecosystem, spanning live, broadcast, recorded, digital, visual/illustrative, and the surrounding businesses—and the public they serve. It exists to give comedy the infrastructure, policy representation, and professional support long afforded to other industries, including music, theatre, and sport.

VERIFIED Comedy INDUSTRY Funding Opportunities

Arts Council England (ACE) Develop Your Own Creative Practice (DYCP)

Things to know:

  • Applications close midday, Thursday 2 July 2026.

  • You can apply for £2,000-£12,000.

  • Professionals in comedy have been awarded DYCP — so go for it!

  • DYCP supports you as an individual creative or cultural practitioner to focus on your career development.

  • Watch ACE’s recent comedy funding session, which CRAFT requested on behalf of the sector.


Amazon Regional Creatives Fund (RCF)

Things to know:

  • Applications close at midnight (23:59), Sun August 2 2026

  • You can apply for up to £100,000.

  • Amazon is helping charities, Community Interest Companies (CICs) and Charitable Incorporated Organisations (CIOs) create pathways into creative careers and upskill the next generation of creatives. In addition to financial support, the Regional Creatives Fund uses Amazon’s network of creative industry professional.

  • CRAFT worked with Amazon to specifically get ‘comedy’ cited within their documentation. Photo CRAFT trustees Jen Smith and Lu Jackson at the RCF launch with Culture Secretary Lisa Nandy MP.


Creative UK’s Creative Enterprise Grants

Things to know:

  • Creative Enterprise is a bespoke set of initiatives for ambitious screen businesses to access connections, training and networks to achieve business growth.

  • Screen Launchpad: Business Support Programme for Underrepresented Founders (Applications close 5pm, Mon 6 July 2026)

  • Female Founders: Confidence-Building Business Support Programme (Applications Close 5pm, Wed 8 July at 5pm)

  • Fast Forward: Growth-Focused Business Support Programme (Applications Open 12pm, Wed 26 Aug 2026)

  • Female Founders: Introduction to Investment (2026 now closed)

CRAFT on Instagram

CRAFT’s Five Pillars

CRAFT’s Five Pillars supports comedy where it is the primary artform, spanning the entire ecosystem, spanning live, broadcast, recorded, digital, visual/illustrative, and the surrounding businesses.

01

01 — RIGHTS & ADVOCACY

Artform, Access & Grassroots Development

Make comedy easier to access, champion creativity, and strengthen grassroots pathways across the entire ecosystem.

02

02 — LAUGHTER AS MEDICINE

Community Health & Wellbeing Delivery

Support and fund practitioners to use comedy and laughter-led experiences to strengthen wellbeing and social connection.

03

03 — CERTIFIED PUBLIC REGISTRY DIRECTORY

Standards, Safeguarding, & Accountability

Create shared expectations for safe, fair and professional comedy activity—so people can work, book, and participate with confidence.

04

04 — RIGHTS & ADVOCACY

Public Affairs, Policy, & Representation

Ensure comedy is recognised as a standalone artform across all formats so policy decisions and funding reflect its true role and value.

05

05 — EVIDENCE TO INNOVATION

Research, Education, & InnovatioN

Grow evidence for cultural, social and economic value; create guidance, training and investment; champion innovation.

☆ — SUPPORT COMEDY

THE COMEDY LEVY FUNDS THE 5 PILLARS

CRAFT is building infrastructure through The Comedy Levy, to fund and support the entire ecosystem of the sector.

One wears many hats in Comedy—it’s an interconnected industry.

For example, talent (like stand-up comedians) largely perform, write, produce, and direct—across live, broadcast, recorded, digital and print formats (for example: clubs/festivals, TV/radio, film/podcasts, socials, and books).

CRAFT therefore takes a view to support this interconnectedness and the entire comedy ecosystem.

What is CRAFT?

Craft is the national body for comedy, with sustainable solutions.

CRAFT supports the entire comedy ecosystem to maximise opportunities and innovation, widen access, set standards, defend freedom of artistic expression, and build the evidence base that unlocks investment—meaningfully, transparently, and sustainably.

As a vital part of British and international cultural, social, and economic life, CRAFT’s ultimate goal is to: 

  1. protect its professionals and businesses, 

  2. strengthen audience and community access, and 

  3. enable comedy to thrive and sustain in the (AI) years ahead.

As a brand new body for the sector, CRAFT will deliver this infrastructure in stages. 

Phase 1
We start by focusing on creating processes to ensure effective practice and transparency, specifically through the Five Pillars, the CRAFT Certified Public Register Directory, The Comedy Levy, and a sector consultation on standards and immediate industry funding needs.

  • As of launch, CRAFT is ready to receive both restricted and unrestricted funds to The Comedy Levy, backed by Charity Commission transparency standards and donor gift aid status.

  • CRAFT will deliver structural support across the Five Pillars, including to distribute funds from The Comedy Levy across the sector ecosystem.

  • This phase will involve government and key institution consultations and collaboration to include comedy within national frameworks, so the industry is recognised, and funding and support can start to flow into the ecosystem.

Phase 2
We will pilot and prove new models before expanding into monitoring/assurance, funding programmes, research publication, and long-term infrastructure as we scale.

Why CRAFT?

Do you know Comedy HAS BEEN the only major CREATIVE INDUSTRY without a national body?

Comedy shapes our culture and identity. The sector is made up of thousands of individuals and businesses who generate billions in revenue and millions in taxes annually. Comedy delivers evidence-based public health benefits and and contributes significantly to other industries, including tourism and exports. Despite this, reinvestment is nowhere near proportionate to the value it creates.

Comedy is systemically underfunded and institutionally overlooked.

  1. Comedy does not have any sector-specific members on the Creative Industry Council (CIC), who crucially oversee key government funding, consultations, and reports. The word ‘Comedy’ is systemically missing from all key DCMS reports—like the Creative Industry Sector Plan (and tech/AI).

  2. Comedy is not a standalone artform with Arts Councils (England, Ireland, Scotland, Wales).

  3. Comedy is not yet integrated into NHS creative health policy.

The creative industries highly value inclusion.

Yet Comedy is excluded. When there’s a crisis or fundraising help requested, Comedy always turns up to support. But who supports Comedy?

This lack of high-level structure means investment is minimal and does not trickle downstream, like it does for other creatives industries and sport.

  • Funding to Comedy—for decades—has been extremely limited from government, key institutions, organisations, and high-net individuals and businesses. Public donations are scarce.

  • This predominantly impacts grassroots professionals and businesses—stifling opportunities and innovation—resulting in a less interesting and funny future for British comedy.

  • It leads to a future where increasingly only people with financial support or wealth will be able to enter the sector, which is a dramatic shift from its working-class and peasant routes.

  • The urgency of this situation, is exacerbated in a post COVID-19, AI-era.

However, it begs the question—even if Comedy was to be funded, how? And to who? And where? The industry hasn’t had a dedicated body that investment and opportunities can flow through at scale.

Downstream examples…

‘Comedy’ was not listed as a specific category in the Arts Council Review (2025). ‘Comedy’ is not listed as a category for grant applications with UKRI and local council websites.

This exclusion means the industry does not participate in major government and insituion reports, resulting in a lack of tracking and accountability, and ultimately funding and support.